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Resilience in Concrete: The Thomas P. Murphy Design Studio Building

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At Miami in Focus we develop marketing tools that are visually driven through strong photographic narratives. Our business history includes many representative projects across multiple business categories including Time Inc., Warner Bros., Fortune Magazine, Clairol, Taubman Centers, American Standar

d, Hunter Douglas, Westpoint Stevens and Springmaid.At Miami in Focus we develop marketing tools that are visually driven through strong photographic narratives. Our business history includes many representative projects across multiple business categories including Time Inc., Warner Bros., Fortune

Magazine, Clairol, Taubman Centers, American Standard, Hunter Douglas, Westpoint Stevens and Springmaid.Rodolphe el-Khoury is Dean of the University of Miami School of Architecture. Before coming to UMSoA in July, 2014, he was Canada Research Chair and Director of Urban Design at the University of T

oronto, Head of Architecture at California College of the Arts, and Associate Professor at Harvard Graduate School of Design. He has taught at Columbia University, Rhode Island School of Design, and Princeton University and has had Visiting Professor appointments at MIT, University of Hong Kong, and

Rice University (Cullinen Visiting Chair). After earning a Bachelor of Architecture and Bachelor of Fine Arts from Rhode Island School of Design, el-Khoury obtained a Master of Science in Architecture from MIT and his Ph.D. from Princeton University.Carmen L. Guerrero is a licensed architect, Assoc

iate Dean of Strategic Initiatives and Facilities and Associate Professor in Practice at the University of Miami School of Architecture. She received a Bachelor of Architecture degree from the University of Miami (1990) and a Master of Architecture degree from Cornell University (1994). Since 2000 s

he has been involved as Director for the School’s Rome program and has developed special courses on the architecture and urbanism of 20th century Italy. Her research has contributed to several international exhibitions and publications focusing on Italian Rationalism. Additionally, she has taught tr

avel seminars and studios concentrating on the impact of regionalism on the design of modern & contemporary architecture in Europe and the Caribbean. The work produced by her students has contributed to preservation and revitalization efforts in Italy, Colombia and the Dominican Republic. Her teachi

ng experience also includes interior design studio and elective courses. In 2008 her architecture and interior design firm received the Coral Gables Chamber of Commerce City Beautiful Award followed by recognition in local and national publications. More recently she was awarded a grant from the Min

istry of Education in Italy, which promotes academic collaborations with institutions of the Southern Italian hemisphere.Miami and New York based photographer, Robin Hill straddles the boundaries between architecture, design and fine art by using his medium of choice; photography. Born and raised in

Nottingham, England, Hill began his career in 1987 in the most inauspicious way by taking pictures of toddlers in supermarkets and department stores across London. He didn’t know at that stage that one day his photographs would be exhibited at the Guggenheim Museum in New York and Bilbao or grace t

he pages of the world’s leading design publications such as Vanity Fair, Wallpaper* and Architectural Digest. Architecture is the corner-stone of his work; perspectives colliding and geometries intersecting, light playing with shadow and whimsy dancing with rigor, a philosophy of action that has led

him to work with many of the world’s leading architects including Herzog and de Meuron, Zaha Hadid and Arquitectonica. Hill likes to see his work as a metaphorical tripod with the three legs of his photography; architecture, design and fine art all coming together within the camera that sits atop t

he tripod. Hill first became known in the world of architecture through a project known as MiMo (MIami MOdern), which is a movement to preserve post-war modern architecture in Miami and resulted in the seminal exhibition ’Beyond the Box’ which debuted at the Municipal Art Society in New York City an

d resulted in the publication of MiMo: Miami Moden Revealed. (Chronicle Books 2004) The first of more than twenty books that Hill has collaborated on. Hill became involved with other media hosting the EMMY award winning ART 360 on PBS and delivering keynote lectures at the Sarasota Design Conference

and the Wolfsonian Museum in Miami. Hill received the AIA award for Florida in 2015 as the Architectural Photographer of the Year.

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美國、歐洲及日本地區動畫電影海報之互文性視覺風格研究

為了解決Warner Bros Studio L的問題，作者孫開緒 這樣論述：

本研究深入探討在動畫發展較為有歷史的美國、歐洲、日本三個地區，以具代表性的動畫電影獎項，美國奧斯卡金像獎、歐洲電影學院獎、日本電影學院獎之動畫電影宣傳海報，進行風格分析及設計特徵研究，探討其動畫電影海報在不同地區的視覺風格，並研究動畫電影海報受互文性與全球化視覺特徵之影響。透過文獻，了解視覺文化的意涵，並以「互文性」，探討傳播媒體促使全球化動畫電影中視覺表現的影響，以發現不同地區間所呈現的視覺風格有所相同，藉此探討海報之視覺引導及設計架構，並進一步探究視覺認知與色彩心理學。本研究利用焦點團體法，針對入圍及得獎之動畫電影海報，其樣本數共計199件，以此建構出三個地區動畫電影海報類目架構，而後再

以內容分析法進行類目信度檢驗，由於美國奧斯卡金像獎包含他國作品，本研究將其刪除，其樣本共計175件，研究結果發現三個地區的動畫電影海報，在角色的選擇多半以人物為主，在標題上以水平編排，畫面則以中心為主要構圖；由於本研究針對「動畫電影獎項」作為樣本選擇，也藉此研究結果發現，以人物為角色的動畫電影海報較為能受到大眾的喜愛，標題因為歐美語種的緣故皆以水平為主，進而發現日文能以直式書寫的語言，在此也利用水平編排；中心構圖則以透過文獻發現，此表現手法較能成為視覺焦點，而三個地區皆以此方式呈現，也發現了互文性存在的證據之一。綜觀三個地區的動畫歷史發展，發現因為網路與電視的出現，促使了全球化的交流，也因為媒

體的快速傳播，看見了互文性對於視覺風格的影響，而動畫的發展，亦是見證了互文性形成的現象。本研究結果提供美國、歐洲、日本動畫電影獎項之海報設計特徵，並發現視覺風格會因全球化現象，受到互文性影響。以此研究結果作為具參考價值的地區性視覺風格素材，並提供未來的研究者，能做更多面向的延伸探討及參考文獻。