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There Was a Time: James Brown, the Chitlin’’ Circuit, and Me

為了解決first warner brother的問題，作者Leeds, Alan 這樣論述：

"Alan Leeds was a proteg of James Brown and a true historian of the world that nurtured the great entertainer. Alan was a witness to the vibrant black music scene of the '60s and '70s--whose book is both a memoir and a document of a lost world of sound."--Nelson George, an American author, columnis

t, music and culture critic, journalist, and filmmakerA behind-the-scenes look at the Chitlin' Circuit during American's most vital period of soul music--from the eyes and ears of a young, Jewish kid from Queens who joined the team of the hardest working man in show business and learned the art of t

he music business at the hand of the performer who mastered it. In the mid-'60s, Alan Leeds was a young DJ looking for his way into the music business. An interview with James Brown to promote a local show in Virginia led to an opportunity to promote one of Brown's concerts, which then led to Brown

hiring him to help run his tours. Soon Leeds was wearing many hats and traveling around the country as Brown battled a complicated web of local promoters and managers, all too willing to try to rip him off. In this riveting book--part memoir, part history--Leeds weaves a wholly new and remarkable

portrait of Brown as an idiosyncratic iconoclast, determined artist, and forceful businessman. It is a rare look into a world little known to white America immediately following the Civil Rights Movement. Leeds discovers that Brown is a fascinatingly complex man and their experiences, both business

and personal, range from emotional to humorous. All the while, they navigate the complicated world of popular Black music in America, told by someone who actually lived it. "Over the course of his long life in music as a tour manager, archivist, writer, and fan, Alan Leeds had a ringside seat for s

ome of the greatest moments in soul and funk history--from James Brown in the sixties to Prince in the eighties to D'Angelo in the first years of the 21st century. His eye for detail and his abiding love for the music shine through in this affectionate, inspirational memoir. Alan is one of my all-ti

me heroes "--Ahmir "Questlove" Thompson "Alan Leeds is one of those cats that absorbs the situation & can recite it back to u word for word, always on point with details & graphics. That is what drew me closer to observing him, other than his big red Afro We all started with James Brown around the

same time. I didn't know what all Alan was doing at the time, but I knew if JB hired him he had to be on Heel & Toe or else u got to Blow That was one of JB's famous expressions to me while he was laughing, but u knew he was serious. To this day, when Alan speaks about something that happened back

in our JB days u can just about take it to the Bank Thxs Mr. Leeds for helping to preserve that funky & sometimes funked up history."--Bootsy Collins Writer-producer-tour manager, New-York-born Alan Leeds is a music business veteran. First hired by James Brown as a publicist in 1970, Leeds was so

on Soul Brother #1’s tour director. From 1975 until 1983 Leeds was a freelance tour manager, working with Kool and the Gang, Bootsy’s Rubber Band, Harold Melvin & the Blue Notes featuring Teddy Pendergrass, Kiss, and Cameo. In 1983 he moved to Minneapolis to begin a ten-year stint as Prince’s person

al tour manager and then president of his Paisley Park Records joint venture with Warner Brothers. In 1992 Alan formed a tour management company whose clients have included Sheila E., Bootsy Collins, Morris Day and The Time, the late Barry White, Maxwell, D’Angelo, Raphael Saadiq, Roy Hargrove, Rene

e Neufville, and Chris Rock. As a writer-producer Leeds has a long-standing consultancy agreement with Universal Music to co-produce their ongoing schedule of James Brown-related product, including writing liner notes and helping compile over thirty different albums. He has also contributed to the p

roduction and liner notes for CDs by Prince, Weather Report, Funkadelic, Mavis Staples, Hugh Masekela, D’Angelo, Bootsy Collins, Eddie Palmieri, LP Music, and Bob Belden. Leeds won a Grammy Award in 1992 for his liner notes to the James Brown Star Time box set. Alan was also a regular contributor to

Wax Poetics magazine and in 2008, Penguin Books released the critically acclaimed The James Brown Reader, edited by Leeds and Nelson George. Alan currently resides in Minneapolis with his wife of thirty-one years, Gwen.

September 1918: War, Plague, and the World Series

為了解決first warner brother的問題，作者Desjardin, Skip 這樣論述：

One hundred years ago, in September 1918, three things came to Boston: war, plague, and the World Series. This is the unimaginable story of that late summer month, in which a division of Massachusetts militia volunteers led the first unified American fighting force into battle in France, turning th

e tide of World War I. Meanwhile the world's deadliest pandemic--the Spanish Flu--erupted in Boston and its suburbs, bringing death on a terrifying scale first to military facilities and then to the civilian population. At precisely the same time, in a baseball season cut short on the homefront and

amidst the surrounding ravages of death, a young pitcher named Babe Ruth rallied the sport's most dominant team, the Boston Red Sox, to a World Series victory--the last World Series victory the Sox would see for 86 years. In September 1918: War, Plague and the World Series, the riveting, intertwine

d stories of this remarkable month introduce readers to a richly diverse cast of characters: David Putnam, a Boston teenager and America's World War I Flying Ace; a transcendent Babe Ruth and his teammates, battling greedy owners and a hostile public; entire families from all social strata, devastat

ed by sudden and horrifying influenza death; unknown political functionary Calvin Coolidge, thrust into managing the country's first great public health crisis by an absentee governor; and New England's soldiers, enduring trench warfare and poisonous gas to drive back German forces. At the same tim

e, other stories were also unfolding: Cambridge high school football star Charlie Crowley, a college freshman teamed up with stars Curly Lambeau and George Gipp under a first-time coach named Knute Rockne; Boston suffrage leader Maud Wood Park was fighting for women's right to vote, even as they fle

xed their developing political muscle; poet E.E. Cummings, an Army private found himself stationed at the center of a biological storm; and Massachusetts Senator Henry Cabot Lodge maneuvered as the constant rival of a sitting wartime president. In the tradition of Erick Larsen's bestselling Devil i

n the White City, September 1918 is a haunting three-dimensional recreation of a moment in history almost too cinematic to be real. A thirty-year veteran of the media, Skip Desjardin has been a journalist, an on-air television anchor, a producer and a programming executive. He was at the forefront

of television innovation, playing critical roles in the development of regional sports networks, pay-per-view, video-on-demand, interactive television, and digital media storytelling for companies such as ESPN and Time Warner. Now he is reinventing television again as an executive at Google, buildi

ng the influential Google Fiber TV and internet project. His writing career began as a beat writer, columnist and ultimately sports editor of the student newspaper at the University of Notre Dame, from which he holds a B.A. in American Studies and an M.A. in Communications. While he was at Notre Da

me, the Associated Press also distributed many of his stories nationally. In the late 1980s he was a reporter for the Lewiston Sun-Journal in Lewiston, Maine. More recently, writing under the pen name Rick Blaine, he generated over a million story views writing about Notre Dame football and Boston R

ed Sox baseball for Yahoo! Skip Desjardin is the brother of noted historian Thomas Desjardin, author of several books on the Revolutionary and Civil Wars. He is a lifelong New England resident who currently lives in West Hartford, CT.

論網路服務提供者商標權間接侵害之責任

為了解決first warner brother的問題，作者王怡茜 這樣論述：

本文係以網路服務提供者商標權間接侵害責任為探討，有別於傳統商標權直接侵害之常見侵害類型，商標權間接侵害特別於網際網路發達之今日更有討論之實益，惟由於主張商標權間接侵害者昔日不多見，不論我國法或外國法仍屬發展中之責任類型，故本文以外國法之發展歷程觀察比較，作為我國未來發展之理論與立法之基礎。首先以網路服務提供者之概念介紹，將網路服務提供者定義，接著就網路服務提供者之類型為闡述，由於網路服務提供者之種類多樣，其得依功能性區分或法律區分類型，而後再就網路服務提供者之定位為界定。再者為美國法商標權侵害理論之介紹，以美國法相關規範為主軸，美國聯邦商標法就直接侵害行為有明文清楚規範，惟其對間接侵害理論並

無明文規範，而係美國法院從普通侵權行為法透過判決發展而來，其中關於輔助侵最重要者即為Inwood Laboratories v. Ives Laboratories案中所確立的Inwood法則，成為日後美國法院判斷商標權間接侵害責任所依循之方法。而美國法院近期對網路服務提供者是否負擔商標權侵害責任最著名之判決為Tiffany （NJ） Inc. v. eBay Inc.案，本案係美國法院首先將商標權輔助侵害理論適用於網路拍賣市場。又觀察歐洲法院與美國法院對此問題之判決，由於適用標準不同，歐盟對網路服務提供者設有相關法規範，即電子商務指令與智慧財產權指令，非如同美國以Inwood法則要件之解釋為

主，在歐盟法院有明確規範依循之情形下，因而產生不同之差異。本文試圖從我國不同法規範之解釋尋找網路服務提供者商標權間接侵害責任適用之可能，其中商標法為特別法最先介紹，以商標權侵害之規定與要件說明，而後再討論民法、刑法、公平交易法適用上之疑義。我國目前之實務判決雖非直接與網路服務提供者之商標權間接侵害責任相關，惟仍得藉由相關判決探知法院對於網路服務提供者相關法律責任之心證，如我國是否須對此爭議問題明文規範，而其規範方式及內容應為何，有相當參考之價值。最後，比較現行法之缺失，提供本文對商標權間接侵害責任之規範建議。