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2018 AICA International Congress Taiwan: Art Criticism in the Age of Virtuality and Democracy

為了解決space age music mean的問題，作者中華民國藝評人協會 這樣論述：

Art Criticism in the age of Virtuality and Democracy 　　The Congress Theme addresses some key issues concerning the role of art criticism related to the new tendencies. 　　Firstly, the virtual is not the opposite of reality but rather an increasing part of our reality. Presently, communities, soci

al relations, everyday life, the body, and even biological life are in the processes of mass virtualization. Life itself has been supposed as an algorithm, AI as a brain without body, while space-time’s relationship is virtualized in VR technology. A virtual enterprise need no longer convene its emp

loyees onsite, but rather can delegate work to be done remotely, thus re-articulating the time-space relationship of its workers. 　　Secondly, if we make an observation of a longer duration, there seems to be an unquestionable expansion of democracy which can be confirmed by the democratic transitio

ns beginning in the mid-1970s, which span from Latin America to Taiwan and South Korea, through the end of the cold war, and to following transitions in Eastern Europe, the Color Revolution and the Umbrella Movement in Hong-Kong in the fall of 2014. Nevertheless in more recent years, the phenomenon

of the retreat of democracy can also be observed in the uprising of the populism worldwide. 　　Two sub-themes: 　　1.Art criticism in the age of virtuality 　　2.Art discourse facing challenged democracy 　　1.Art criticism in the age of virtuality: How does the situation in which the rapid pace of devel

opment in computer and media technologies affect the description, interpretation and evaluation of contemporary art? More precisely, does art criticism develop new methodology and new languages concerning its analysis and new problematics in its debates? 　　2.Art discourse facing challenged democrac

y: How is art discourse constitutive of the collective representations and imaginary of democracy? In the situation of democracy under challenge, how are these social-political phenomena reflected in new developments of censorship and self-censorship, or post-truth? For new problems brought out by t

ransitional justice, what kind of function can art discourse play?  

The Ghost in Us Was Multiplying: Poems

為了解決space age music mean的問題，作者Armendinger, Brent 這樣論述：

Poetry. LGBT Studies. Where does one body end and another begin? In THE GHOST IN US WAS MULTIPLYING, Brent Armendinger explores the relationship between ethics and queer desire, infusing meditations on public life and politics with a radical sense of intimacy. Although grounded in lyric, these poems

are ever mindful of how language falls apart in us and perhaps more importantly how we fall apart in language. Armendinger asks, "What ratio of news and light should a poem deliver?" This book is a continuous reckoning with that question and the ways that we inhabit each other. "To 'multiply.' To '

devote.' To 'ferment inside a hush.' Brent Armendinger writes through and from the body, recollected contravened] at all turns by the ferocity of its accompanying landscapes, affinities and the heart itself. 'How else can I survive?' writes the poet, deep inside a book that traces the index of an i

ntense need: the kind of contact that can't be assuaged by touch alone. I was so interested in this other, longitudinal and 'surpassing' touch that happened again and again in a book both measured and dreamed: the 'pictogram, ' for example, that's heard rather than seen; the blood that's mailed 'bac

k north' a 'stain, my zero.' What does it mean to encounter a zero a 'stranger' that doesn't diminish in repetition, but which strengthens, glitters, hurts to look at directly or feel? Brent Armendinger writes into this quality or 'crucial' space with an emotional and soulful approach to the 'amniot

ic' potential of vocabularies, human and otherwise. 'What do the birds think?' I loved this book so much, for what it senses into as much as it expresses: a longing for radical company; studies of water and cosmic flows of all kinds. 'Where will you live now, ' asks the poet, 'and can you hear it, /

the way your voice has changed?' Brent Armendinger is a rare experimental writer who writes deeply and passionately from the soul. I am extremely honored to write in support of his poetry." Bhanu Kapil "The poems in Brent Armendinger's THE GHOST IN US WAS MULTIPLYING are hushed, as if spoken the mo

rning after a heavy snow. They are also admirably attentive to sadness, breath, and desire. Their speaker laments being 'too permeable, ' but it's precisely that translucence that matters here: it makes audible the music of his 'almost way of touching, ' as well as delivering the sometimes melanchol

y, perennially essential sound of 'how the heart opening always feels.'" Maggie Nelson "I'm full of admiration for Brent Armendinger's queer lyrics, which bravely convey desire's atmospheric density and disturbing power through elegant and mysterious figuration. Though these poems tell stories about

gay life in the age of AIDS, they're stories written with a 'wet alphabet' capable of rendering the incredibly porous and vulnerable state of the desiring mind. Moving through simile and metaphor, substitution and displacement, these poems portray queer subjectivity as 'a double preposition, /a cor

ridor in briefly, /the mind outside the mind in me.' Everywhere in this singular work, language that seems to lead inward instead leads outward. I love Armendinger's passionate commitment to that paradox. And I love his ambitious central task: 'I type a letter to the otherness I call you.'" Brian Te

are"

大學生運動行為相關影響因素與模型驗證之研究

為了解決space age music mean的問題，作者江麗玉 這樣論述：

本研究旨在探討大學生運動行為的影響因素，並以健康信念模式及自我效能等理論進行研究，研究對象為國立科技大學學生，採問卷調查法方式進行資料蒐集，研究工具包括運動意願量表、健康信念因素實際感受量表、自我效能量表、運動行為量表，各量表採用內部一致性信度檢測，Cronbach α 值均達0.7 以上，叢集取樣方式發放530份問卷，有效問卷共402份，分別為工程學院、管理學院、設計學院、人文與科學學院，共計402人。其中男性263人、女性139人。資料處理採平均數、標準差、t檢定、單因子變異數分析、階層迴歸及皮爾森積差相關等方法，研究結果發現如下:壹、研究對象運動量偏低，無運動222人，高達55.2%，

BMI平均數為22.18。貳、不同性別在知覺憂鬱情緒威脅、知覺運動障礙方面有顯著差異，女性顯著高於男性；在自我效能、運動行為方面，男性顯著高於女性。課業壓力愈輕鬆，知覺運動線索能力愈佳，達顯著差異。上網時間愈短，知覺運動利益愈佳、自我效能愈好，達顯著差異。參、運動意願與罹病可能性、運動線索、運動利益、自我效能具有顯著正相關，與運動障礙具有顯著負相關。肆、本研究建構的健康信念模式應用於健康行為模式，適配度良好；複核效化分析結果，模式具備穩定性與有效性。本研究建議學校教育應強化學生的運動意願和運動利益，增加多元化的運動社團，為大學學生擬定健康促進之生活目標，並開設與運動相關的健康促進課程，促進大學

生的運動行為，減少運動障礙，增加運動線索，活絡校園的運動氣氛，達成｢生活體適能、體適能生活｣目標。