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The Peacemaker: Ronald Reagan in the White House and the World

為了解決BUD US的問題，作者Inboden, William 這樣論述：

An in-depth and masterful account of how Ronald Reagan’s foreign policy team of rivals won the Cold War and laid the foundation for the twenty-first century.Today, the ending of the Cold War seems a foregone conclusion. But in the early 1980s, US intelligence and other experts believed the Soviet Un

ion was strong, stable, and would last into the next century. Ronald Reagan entered the White House with no certainty of what would happen next, only an overriding faith in American democracy and an abiding belief that the communist system--and the threat of nuclear war--must be brought to an end. T

he Peacemaker is the story of the eight years of Reagan’s presidency, as he and his national security team managed, in real time, multiple crises around the globe. From the emergence of global terrorism, wars in the Middle East, the rise of Japan and the awakening of China, to proxy conflicts in Lat

in America, Africa, and Asia, Reagan’s team oversaw the worldwide expansion of democracy, globalization, free trade, and the information revolution. Yet no issue was greater than the Cold War standoff with the Soviet Union. As president, Reagan cast aside the four-decades-old policy of containment a

nd challenged the Soviets in an arms race and ideological contest that pushed them towards economic and political collapse, all while extending an olive branch of diplomacy. Reagan’s revolving team included Secretaries of State Al Haig and George Schultz; Secretaries of Defense Caspar Weinberger and

Frank Carlucci; National Security Advisors Bill Clark, John Poindexter and Bud McFarlane; Chief of Staff James Baker; CIA Director Bill Casey; and United Nations ambassador Jeane Kirkpatrick. Talented and devoted to their cause, at times their inner rivalries and backstabbing led to missteps and cr

ises. But over the course of the administration, Reagan and his team developed the strategies that brought us to the brink of the Cold War’s peaceful conclusion, and remade the world. William Inboden is executive director of the Clements Center for National Security and Associate Professor of Publ

ic Policy and History at the LBJ School, both at the University of Texas at Austin. Prior to academia, he worked for fifteen years as a policymaker in Washington, DC and overseas, including senior positions with the State Department and the National Security Council in the George W. Bush Administrat

ion. A graduate of Stanford University, he earned his doctorate at Yale. He is a life member of the Council on Foreign Relations, and his commentary has appeared in numerous outlets including the Wall Street Journal, New York Times, Washington Post, Los Angeles Times, Foreign Affairs, Foreign Policy

, Weekly Standard, World, NPR, CNN, Sky News, and BBC.

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第三代互聯網時代下非同質化代幣於企業對消費者之行銷上的應用研究

為了解決BUD US的問題，作者陳顥宜 這樣論述：

For the past few years, consumer behavior has dramatically shifted due to digitalization and the abruptness of the COVID-19 pandemic. All industries have had to adjust to cater to these new shifts to meet bottom line and sustain growth. One major shift has been the increase of e-commerce across mul

tiple B2C industries. Additionally, NFTs and the metaverse have taken the consumer markets by storm with exponential growth and have presented enormous value to consumers. This thesis takes the case study approach to explore the intricacies of the Web 3.0 era, mainly focusing on the metaverse, block

chain technologies, and NFTs. Through understanding these three core technologies of the Web 3.0 era and secondary data analysis, the report further shows the potential values of endless applications and benefits the technologies can pose for B2C companies, mainly when applied to marketing and brand

ing strategies. More so, narrowing the focus on three B2C industry sectors (FMCG, Arts & Entertainment, Fashion) and closely analyzing current case examples within these sectors on the applications of NFTs, a feasible business model based on ‘NFT-as-a-Service’ was born and proved to provide a unique

selling proposition as the current market is quite scattered and goes beyond just digital NFT art. However, whether the market is long-lasting will primarily depend on consumer reception and accessibility of the technologies to the mass public.

Sacred Geometry (Conscious Guides): How to Use Cosmic Paterns to Power Up Your Life

為了解決BUD US的問題，作者Foster, Jemma 這樣論述：

Discover the majestic flow of the universe and how its symbolic architecture can awaken higher energies.Sacred Geometry exists all around us in the natural world, from the unfurling of a rose bud to the pattern of a tortoise shell, the sub-atomic to the galactic. A pure expression of number and form

, it is the language of creation and navigates the unseen dimensions beyond our three-dimensional reality. Since its discovery, humans have found many ways - stone circles, mandalas, labryinths, temples- to cll upon this universal law as a way of raising consciousness and communicating with a divine

source. By becoming aware of teh dots and lines that build the world around you, Sacred Geometry will teach you how to bring this mystical knowledge into your daily practice. Jemma Foster is a multi-disciplinary practitioner of plant and vibrational medicine. She is the founder of the botanicla s

tudio Mama Xanadu, which hosts plant workshops and supper clubs. Through her own research and study with the Academy of Sacred Geometry, Jemma fell in love with this language of the universe and the myriad ways in which it has been spoken across cultures and across time.

華裔菲律賓藝術家的 文化融合與異質身份認同

為了解決BUD US的問題，作者張安美 這樣論述：

A recurrent query that Filipinos ask themselves is what it means to be one, when most of Filipino culture is a construct of colonialism (Mateo, 2001). To an extent, the uncertainty transcends into a dilemma when it comes to the identity of subcultures (Kelman, 1997) — in this case, the identity of

the Chinese Filipinos “Chinoys”. As a minority, navigating around syncretised cultures and histories of discrimination can lead to identity crises, and succumbing to a Spiral of Silence (Noelle-Neumann, 1974). To exemplify, the COVID-19 pandemic, territorial dispute, and political adversaries betwee

n the Philippines and China amplified the dichotomy of the Filipinos and Chinoys. Despite the latter’s localization and self-identification as Filipinos with Chinese ethnicity, the loyalty of the Chinoys is constantly disputed because of their cultural filiation with China. Ultimately, this phenomen

on cultivates Xi Jinping’s ultimate China dream of homogenized Chineseness, and division through identity politics (Haidt & Lukianoff, 2018).Due to the lack of awareness and discourse with regard to the concept of Sinophone in the Philippines, this research aims to analyze and archive the works of f

ive Chinese-Filipino visual artists — including my own art. By doing so, I articulate how the artists navigate around their syncretised identity; and counter the notion of homogenized Chineseness, whether intentionally or subconsciously manifested. This will then reveal a part of the global dispersi

on of Sinophone people in the Philippines, and its distinction to other Sinophone communities. Overall, this thesis intends to encourage further exploration, and archive the Sinophone discourse in the Philippines through visual arts.