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Orthogonal Polynomials

為了解決EVER AIM的問題，作者Rakhmanov, Evguenii A. 這樣論述：

The series is devoted to the publication of monographs and high-level textbooks in mathematics, mathematical methods and their applications. Apart from covering important areas of current interest, a major aim is to make topics of an interdisciplinary nature accessible to the non-specialist. The

works in this series are addressed to advanced students and researchers in mathematics and theoretical physics. In addition, it can serve as a guide for lectures and seminars on a graduate level. The series de Gruyter Studies in Mathematics was founded ca. 35 years ago by the late Professor Heinz Ba

uer and Professor Peter Gabriel with the aim to establish a series of monographs and textbooks of high standard, written by scholars with an international reputation presenting current fields of research in pure and applied mathematics.While the editorial board of the Studies has changed with the ye

ars, the aspirations of the Studies are unchanged. In times of rapid growth of mathematical knowledge carefully written monographs and textbooks written by experts are needed more than ever, not least to pave the way for the next generation of mathematicians. In this sense the editorial board and th

e publisher of the Studies are devoted to continue the Studies as a service to the mathematical community.Please submit any book proposals to Niels Jacob.

EVER AIM進入發燒排行的影片

網路迷因策展

為了解決EVER AIM的問題，作者柯永謙 這樣論述：

網路迷因(internet meme)是今日網路文化的關鍵字；自網路2.0的架構開始，用戶生成內容蓬勃在網路場域發展，並隨著社交媒體的演進，形成當前「迷因文化」的數位景觀；迷因作為網路美學的形式，以像素(pixels)作為身體，不斷複製、變異、傳播。本研究嘗試梳理台灣網路迷因文化的發展，並以策展實踐進行探索。藉著策展，我探討「迷因」概念如何在台灣的網路生態中演化－從翻譯到在地生成、由次文化進入到大眾文化視野的進程；展示網路迷因如何以一種日常的普遍訊息形式在數位情境與現實中被應用，形塑人們的感知結構。迷因蔓延在虛擬與現實之間，成為了新的訊息範示；迷因的出場，定義了社交媒體世代的美學。作為一個網

路重度使用者與當代藝術工作者，浸淫在每日接收、轉發、創造迷因的數位日常中，我試圖追問：「迷因的感性形式是否能與台灣的當代藝術策展進行交互書寫？」，遂發展出一系列圍繞迷因主題的策展實踐：2020-21年的迷因展覽計畫《低傳波》、《駭虫農場》。「迷因策展」作為一種迷因研究的途徑，是以社群帳戶、展覽作為載具，作品、次文化物、迷因影像作為身體，成為一個近入(access)台灣迷因文化的方法，思索網路迷因作為當代策展方法的可能展望。

Each Day a Small Victory

為了解決EVER AIM的問題，作者 這樣論述：

BRITISH COMEDY AWARD winner, Chips Hardy’s debut novel, Each Day a Small Victory is ＂...is not just a rich, sensuous, deeply humorous animal story - it is also a brilliant celebration of life, death and the whole damn thing.＂Meet Max. He’s made a name for himself as a rabid psychopath who uses ra

ndom acts of violence to instigate a campaign of terror. He feels his blood thirsty reputation is undeserved and wants to set the record straight.Each Day a Small Victory is a month-by-month look at Max’s fraught and bloody encounters, as both the hunter and the hunted. When Max turns nasty and his

killer instinct kicks in, Each Day a Small Victory gets to the bloody heart of the adrenaline-fuelled chase as blind panic often overtakes his chosen victim. Max isa stoat, one of nature’s most efficient hunters. Max, ever the opportunist, takes full advantage of the rhythms and cycles of nature. Wh

o will be next for the kill? As the year progresses and the body count mounts up, will Max avoid meeting the same bloody and gory fate that he has inflicted on so many others? Be prepared to be shocked, Max doesn’t have time for humans with a romantic vision of the countryside. Animals were harmed i

n the writing of this book. Illustrated in colour by Cannes Palme’ d’Or winning animator and illustrator, Oscar Grillo.＂Pulp Fiction meets Wind in the Willows.＂ -- Jake Arnott, Author of The Long Firm＂The memorable feat of a quirky and engaging imagination.＂ Sir Roy Strong＂I’ve been reading a remark

able little book - Each Day a Small Victory by Chips Hardy. It’s a kind of cute animal tale with a twist - it ain’t cute! Far from it. This is anthropomorphic nature red in tooth and claw, with a twist of black humour. The anti-hero of the book, Max, is a stoat whose only aim in life is to find his

next meal, while avoiding becoming someone else’s. In that sense, it’s the most honest animal story I’ve ever come across, and it’s a great read. Chips clearly knows his countryside very well indeed - there is plenty of detail about the various animal characters and their habits. He is a British Com

edy Award winner. The book has some stunning illustration by Oscar Grillo, who has worked on Monsters Inc and Men in Black, among others.＂ -- Sporting Shooter Magazine

臺灣獨立樂團文本之插畫創作研究

為了解決EVER AIM的問題，作者梁晉瑋 這樣論述：

 不論文字還是圖像，是否曾有過經由他人所創作，能夠完整的描述出與自身心境相同的作品，因而深受震撼的經驗?具備文采的作家將原本存在於抽象中的概念，藉由實際文字創作出散文、小說、詩歌、歌詞、劇本，因而產生許多的文本資料。    本創作旨在於將那些存在於樂團歌詞文本中撼動人心的文字概念，透過文本分析法解讀作品、剖析文本之內涵，接著以讀者之理解重新創作。後採用創作實證法，擷取文本經典處轉化重新詮釋於視覺圖像當中，將文字與圖像互相搭配。創作取材自以闡揚自由、表達自主精神的搖滾樂為題材，取自於臺灣獨立樂團的｢歌詞｣當中，並以｢心靈｣作為創作主軸，使用數位藝術的技法呈現於圖文插畫當中。共以二十件作品探討關

於｢心靈｣的系列作品，期望能將文字中難以理解的複雜情感經過符號的簡化，形成一種全新解讀文本的創作方式。在歌詞文本轉化成視覺符號的創作歷程中，為了加深對於歌曲、歌詞的體會與感受，在發想過程中會不間斷地重複聽同一首歌曲或是重複特定某一段的歌詞，接著將自身感受以文字方式記錄下來，並將記錄下來的文字轉化成能夠適合傳達歌詞文本涵意的符號，通常在一幅作品中符號的使用上不會使用超過三個，除非引用的歌詞文本中的故事性較強，才會使用三個以上的符號進行視覺轉化。是一種以第一人稱的視角作為風格取材的圖像設計創作，呈現出一種靈魂與歌詞內化後所產生感觸，以創作者本身具有精神疾病的感受進行重新詮釋，因此廣受具有相同疾病的

患者的喜愛。期盼可以透過表現主義創作風格來吸引更多閱讀及觀賞者，進而讓觀賞者可以有助於對臺灣樂團認知的漠視轉而化之更加重視與重要性。