Warner Music的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列股價、配息、目標價等股票新聞資訊

Smile Out Loud: An Anthology of Happy Poems

為了解決Warner Music的問題，作者Coelho, Joseph 這樣論述：

Joseph Coelho is an award winning poet and performer from London, although he now lives by the sea. In 2019 he won the Independent Bookshop Week Picture Book Award for If All the World Were which has been translated into 10 languages. He has been long-listed for The Carnegie Children’s Award with hi

s poetry collection ’Overheard In A Tower Block’, which was also shortlisted for the CLPE CLiPPA Poetry Award and Longlisted for the UKLA Book Awards. He won the 2015 CLPE CLiPPA Poetry Award with his debut poetry collection Werewolf Club Rules. His debut Picture Book, Luna Loves Library Day was vot

ed one of the nations favourite picture books by a survey led by World Book Day. His other poetry books include How To Write Poems and A Year Of Nature Poems . He has written plays for companies including: Soho Theatre, Polka Theatre, The Unicorn Theatre, Theatre Royal York, Oily Cart and The Spark

Children’s Festival to name a few. Joseph has been a guest poet on Cbeebies Rhyme Rocket, Radio 4’s Poetry Playtime and Front Row. He is the presenter of BBC’s Teach Poetry (Oct 2018) and features in DiscoveryEDUK’s Poetry CurriculumDANIEL GRAY-BARNETT is an Australian illustrator and author based

in Tasmania. HE has illustrated 4 books for children, including the award winning debut, Grandma Z. His illustrations have been commissioned by clients such as The New York Times, Sydney Opera House, The Boston Globe, The New Yorker, Warner Music, and The Museum of Contemporary Art Australia. His w

ork has been shown internationally and has been awarded by the Society of Illustrators NY, Communication Arts and 3x3 magazine.

Warner Music進入發燒排行的影片

馬勒第五號交響曲之指揮詮釋與分析

為了解決Warner Music的問題，作者許峻瑋 這樣論述：

本論文以古斯塔夫．馬勒（Gustav Mahler, 1860- 1911）《第五號交響曲》指揮詮釋為研究重點，其次為錄音版本比較與樂曲分析研究。第一章為緒論，闡述《第五號交響曲》的研究動機與目的、研究範圍與方法、文獻探討；第二章為論述馬勒與《第五號交響曲》之間的創作時空背景以及其首演評論；第三章為各指揮名家錄音之比較，目的為找出研究者認為合宜的詮釋版本；第四章為指揮詮釋與分析，探討樂團演出的技巧、排練的方式與指揮詮釋表達，並深入研究樂曲的形式、和聲與動機；第五章為結論，為前面觀點作一個總結，彙整論文的研究結果；第六章為引用文獻；最後附錄德文音樂術語翻譯。

Son of the City: A Memoir

為了解決Warner Music的問題，作者Ross, Dante 這樣論述：

Son of the City goes behind the scenes of the Golden Age of Hip Hop with esteemed producer and music industry veteran, Dante Ross, one of the top-25 greatest A&Rs as named by Complex Magazine. Ross pulls no punches as he details his time growing up on the pre-gentrification Lower East Side as the ch

ild of political activists, his devotion to punk rock, and his eventual discovery of a brand new art form, which landed him at Tommy Boy Records, where he signed and handled the careers of such artists as De La Soul, Queen Latifah, and Digital Underground. Ross would go on on to work for Elektra rec

ords, where he signed Brand Nubian, Grand Puba, Pete Rock & C.L Smooth, KMD, Busta Rhymes, and Ol' Dirty Bastard. He is currently a SVP of A&R at Warner Music Group where he recently helped unearth Macklemore to the world. As a producer, Ross has produced records for artists such as 3rd Bass, Del Th

a Funky Homosapien, Run-DMC, Santana, Everlast (working on both the multi-platinum album Whitey Ford Sings The Blues and the gold follow-up, Eat At Whitey's), plus many others. Ross earned a Grammy in 1998 for his production work on Carlos Santana's Supernatural. Ross' production work has also appea

red on Eminem's 8 Mile soundtrack, where he produced and co-wrote two songs that featured Macy Grey and Young Z. Ross has worked with artists as diverse as Korn, Incubus, Mobb Deep, Ice Cube, ODB, as well as a plethora of others. Dante Ross is an American music industry executive, A&R man and este

emed record producer. Complex Magazine named Ross one of the top 25 greatest A&RS in Hip Hop history. Ross started his A&R career at Tommy Boy records where he signed and handled the careers of such artists as De La Soul, Queen Latifah, and Digital Underground. Mr. Ross’s contributions have made him

part of the lexicon of popular culture. He lives in New York City

莫札特《C大調加冕彌撒》之指揮詮釋研究

為了解決Warner Music的問題，作者何易 這樣論述：

《加冕彌撒》為莫札特1779所創作的彌撒曲，是他在薩爾茲堡時期的重要作品之一。本研究從歷史、理論與分析、指揮詮釋等三大面向探討這部作品：在歷史面向上，本文歸納莫札特生平，並分析《加冕彌撒》之歷史背景，以及大時代對於本作品之影響。本研究發現，整部作品在曲式與結構上，均受到古典時期器樂曲發展之影響；而其相對短小的篇幅，亦是受限於當時薩爾茲堡縮減教會禮儀支出的影響。在理論與分析方面，側重音樂理論與作曲技法的分析，深入探究《加冕彌撒》之曲式、和聲與配器等音樂內容。本研究結果發現，莫札特在本樂曲中大量三段體形式，並且在樂章間亦存在「主題統一」之創作手法，可見作曲家對樂曲之對稱結構的重視。最後，本文以歷

史脈絡與音樂分析為基礎，進一步探討本作品之指揮與詮釋。包括音色選擇與性格之間的關聯、各項記譜與演奏法之詮釋細節、歌詞經文的咬字與語韻，以及指揮左手運用、速度變化與分割拍等技術重點。期待本文能成為所有對《加冕彌撒》有興趣的研究者與指揮者之參考依據，也為目前之莫札特研究社群盡一分心力。