who whom whose的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列股價、配息、目標價等股票新聞資訊

At the President’’s Table: Food, Politics, and the History of Breaking Bread at the White House

為了解決who whom whose的問題，作者Prud’homme, Alex 這樣論述：

A wonderfully entertaining, often surprising history of presidential taste, from the grim meals eaten by Washington and his starving troops at Valley Forge to Trump’s fast-food burgers and Biden’s ice cream--what they ate, why they ate it, and what it tells us about the state of the nation--from

the coauthor of Julia Child’s best-selling memoir My Life in FranceThe American presidents have been hosts to some of the most significant moments in our history over meals at 1600 Pennsylvania Avenue. And during such occasions, our commanders-in-chief have understood the value of breaking bread wit

h both friends and foes--Thomas Jefferson’s nation-building receptions in the new capital Washington, D.C.; Ulysses S. Grant’s state dinner for the king of Hawaii; Booker T. Washington’s groundbreaking supper with Teddy Roosevelt; Richard Nixon’s practiced use of chopsticks to pry open China; Jimmy

Carter’s détente between Israel and Egypt at Camp David. Here, Alex Prud’homme invites readers into the White House kitchen to reveal the sometimes curious tastes of twenty-six of America’s most influential presidents, how their meals were prepared and by whom, and the ways in which their food polic

ies affected people around the world. As each president grew into his distinguished role, his personal tastes evolved White House menus over time--from simple eggs and black coffee for Abraham Lincoln during the Civil War and celebratory turtle soup after, to squirrel stew for Dwight Eisenhower, jel

ly beans and enchiladas for Ronald Reagan, and arugula for Barack Obama. What our leaders say about food touches on everything from our nation’s shifting diet and local politics to global trade, science, religion, war, class, gender, race, and so much more. Prud’homme also pulls back the curtain on

overlooked figures like George Washington’s enslaved chef, Hercules Posey, whose meals burnished the president’s reputation before the cook narrowly escaped to freedom, or pioneering First Ladies, such as Dolley Madison and Jackie Kennedy, who used food and entertaining to build political and social

relationships. As he weaves these stories together, Prud’homme reveals that food is not just fuel when it is served to the most powerful people in the world. It is a tool of communication, a lever of power and persuasion, a form of entertainment, and a symbol of the nation. Included are ten authent

ic recipes for favorite presidential dishes, such as: Martha Washington’s Preserved CherriesAbraham Lincoln’s Gingerbread MenWilliam H. Taft’s Billy Bi Mussel SoupFranklin D. Roosevelt’s Reverse MartiniLady Bird Johnson’s Pedernales River Chili

who whom whose進入發燒排行的影片

衰弱、尊嚴、韌力與生活品質於心臟疾病患者之探討 - 質量性研究

為了解決who whom whose的問題，作者徐清樺 這樣論述：

目的：探討心臟疾病患者衰弱、尊嚴、韌力與生活品質之相關性，以及心臟疾病患者的罹病過程經歷與生活經驗。方法：本研究為質量混合型研究設計。量性部分採方便取樣於北部某區域醫院心臟內科門診與病房進行樣本收集共101位病人，使用結構式問卷包括：基本屬性、疾病特徵、中文版介護風險評估篩檢量表(Kihon Checklist - Chinese)、中文版病人尊嚴量表(Patient Dignity Inventory - Mandarin version)、心理韌性量表中文版(Chinese version of Resilience Scale)、及歐洲生活品質五面項量表(EuroQol 5-dimen

sion questionnaire)為研究工具，資料收集後透過SPSS 20.0版電腦套裝統計軟體進行頻次、百分比、平均數、標準差、最大/最小值、獨立樣本t檢定、單因子變異數分析、卡方檢定、皮爾森積差相關及階層迴歸進行統計分析，另使用SAS 9.4版電腦套裝統計軟體以潛在類別模式對低生活品質之樣本進行潛在類別分析。質性部分採立意取樣自問卷調查中的101位受訪者選取訊息豐富且可清楚描述之個案共10位進行訪談，以胡賽爾的現象學觀點藉由半結構式訪談大綱引導進行訪談，訪談文本使用內容分析法進行分析。結果：本研究結果顯示心臟疾病患者的生活品質會受到年齡、教育程度、職業狀態、經濟來源、主要照顧者，以及疾

病種類的影響，且衰弱、尊嚴、韌力都是生活品質的預測因子。無配偶、有菸酒習慣、經濟來源、合併有慢性腎病變或周邊動脈硬化等基本屬性與疾病屬性是低生活品質的潛在類別。心臟疾病患者的罹病過程歷程包含衝擊、調適、及重生三個主題，從對生命失去期待，到感受與接受外界環境支持以調整面對疾病的態度，到思想昇華及生命重啟等階段。結論：本研究可瞭解心臟疾病患者衰弱、尊嚴、韌力與生活品質之相關性，生活品質之預測因子，及罹病過程經歷與生活經驗。研究結果可提醒臨床照護人員對患者尊嚴、韌力之觀察，辨識低生活品質之潛在患者，並適時介入輔導，以維護患者的生活品質。

Shinjuku (Second Edition)

為了解決who whom whose的問題，作者Mink 這樣論述：

Former special forces soldier and now elite Scout bounty hunter Daniel Legend is leaving the mean streets of Los Angeles for the meaner streets of Shinjuku.In the real world, Tokyo’s most cosmopolitan ward: center of metropolitan power, crossroads of traffic, den of vice. But in Shinjuku, Daniel Leg

end, in search of his missing sister Angela, discovers the unreal city: Shinjuku, the nexus of realities, riddled with underground pathways.In this realm where lowlife crooks and subterranean monsters spill blood alike in the shadows, three rival yakuza leaders hold control over every earthly crime

in a tense triad of greed. Yet for one mobster lord, Shi, no amount of worldly gain is enough to satisfy him--and he plans an unholy scheme to seize control over all existence that merges mystcism with the visionary quantum research that was the legacy of Daniel and Angela’s father! Film and video d

irector Christopher ＂mink＂ Morrison, veteran of Quentin Tarantino and Lawrence Bender’s A Band Apart, is the author of Shinjuku, a story whose urban mix of action and horror is illustrated with raw, propulsive energy by world-famous illustrator Yoshitaka Amano (Final Fantasy, Vampire Hunter D). Ch

ristopher (mink) Morrison is a British American film director, writer, producer and comic book novelist. In 2002 Quentin Tarantino’s A Band Apart Films added him to their roster as a director. Since then he has been directing videos, commercials as well as film & television projects. His love of sho

rt stories has him writing comic books for three different major publishers. Yoshitaka Amano was born in 1952 in Shizuoka, Japan, the youngest child of a WWII veteran who worked in the traditional Japanese lacquer ware arts. Amano went pro in 1967 at the age of 15, as the youngest person to be hired

by legendary anime studio Tatsunoko, where his first job was on the famous anime series Speed Racer. By 17, he had been made the studio’s character concept artist, a new kind of industry position created specifically for him. Well-known anime characters designed by Amano in the 1970s include the ca

st of Gatchaman, also known as Battle of the Planets--of whom superstar comics painter and Gatchaman fan Alex Ross (Kingdom Come) has said, They belong among the pantheon of great characters. In the 1980s, Amano designed the cast of Genesis Climber Mospeada, known to fans around the world as the thi

rd part of the TV series Robotech (Robotech: The New Generation). In 1985 Amano partnered with director Mamoru Oshii (Ghost in the Shell) and Hayao Miyazaki’s early producer Hideo Ogata to create the feature-length The Angel’s Egg, often considered the most personal of Oshii’s anime films. In the 19

80s, Amano began to develop an independent career as one of Japan’s most sought-after character and design illustrators, painting hundreds of science fiction and fantasy magazine book covers. His mysterious, atmospheric style attracted the creators of a new video game concept in 1987 called Final Fa

ntasy, who hired Amano to give a distinctive artistic vision to the game. Amano would go on to design the characters, monsters, weapons, and treasures of the first ten Final Fantasy games, visually influencing a worldwide fan base through the new frontier of video games, as he had earlier done throu

gh the medium of anime. While remaining in high demand as a commercial illustrator, Amano entered the fine arts world beginning in 1989 with his first exhibition of original art in Tokyo, and in 1995 his first outside Japan, at the Biennale d’Orléans in France. In 1997 he made his New York art world

debut with the exhibit Think Like Amano, and the following year worked with the Los Angeles Philharmonic to create the animated concert film 1001 Nights. A fan of US comic books since he discovered Neal Adams in the 1960s, Amano’s New York exhibit led to his first work in American comics, when he w

as asked to create a poster for the 10th anniversary of Sandman, a project that put him in touch with Neil Gaiman, with whom he would collaborate on Sandman: The Dream Hunters; for Marvel, he would create Elektra & Wolverine: The Redeemer with Greg Rucka. Maintaining studios today in Paris and Tokyo

and travelling frequently to international events, in the 21st century Amano continues to take on commissions, while devoting the majority of his working time to personal projects. In 2013, Dark Horse Comics, which has released over 40 books illustrated by Amano, was the first in the world to publi

sh Yoshitaka Amano’s debut original novel, Deva Zan, containing dozens of accompanying paintings. Dark Horse is proud to honor the continuing legacy of one of the world’s most influential Japanese artists through its upcoming English edition of Florent Gorges’s Yoshitaka Amano: Beyond the Fantasy--T

he Illustrated Biography.

董監事改選公司與同業公司的股價反應:市場占有率的角色

為了解決who whom whose的問題，作者胡家銘 這樣論述：

本研究以事件研究法估計董監事改選公司與同業公司的股價反應 (累積異常報酬 (CAR))，以迴歸分析探討改選公司CAR (為應變數) 與過去績效的關係、改選公司與同業公司之競爭或合作關係對兩方CAR關係的影響，及此影響是否受同業市場占有率的干擾。針對2000至2020年上市上櫃公司篩選市場占有率年度排名第一為樣本，實證結果發現：一、董監改選的公司過去績效與改選宣告期間CAR呈負相關，尤其在前一日至後一日、二日及三日下的CAR較顯著。雖然在前一日至後一日的CAR不顯著，大體上與假說之預期相符。二、當改選公司之宣告報酬為正數時，同業合作公司前一日至後一日之CAR與此正相關，而同業競爭公司與此負相關

，與假說預期一致，支持競爭效果與正向蔓延效果之看法，特別在前一日至後一日及二日之CAR較顯著。但當改選公司的CAR為負時，上述相關性卻不顯著，表示投資人不看好改選公司董監改選時，對同業股價反應無顯著影響，即負向蔓延效果不存在。三、同業市占率的干擾效果：當改選董監被市場看好時，CAR為負的同業公司 (與改選公司為競爭關係) 之總市占率較高者，其與改選公司CAR之負相關較弱 (受改選之不利影響 (競爭效果) 較輕)。當改選被市場看壞時，CAR為負的同業 (與改選公司為合作關係) 總市占率較高者，其與改選公司CAR相關性較為正向 (改選公司之負面蔓延效果較輕)。至於CAR為正的同業之總市占率高低並無

上述干擾效果，可能是因在市場不看壞下，市占率的增額好處相對較不突出。以上結果在前一日至後一日之CAR最為顯著。